किशोरीताई- संगीताचं अभिजात विद्यापीठ

शास्त्रीय संगीत या संकल्पनेची ओळख खरं तर अगदी लहानपणीच मला झाली. माझे आजी आबा शास्त्रीय संगीत गायक आणि अभ्यासकही... तिसर्‍या वर्षी गाणं शिकायला सुरुवात केली तेव्हा 'सा' लावायला शिकवताना आबांकडून एखादी गोष्ट ऐकल्यासारखं किशोरी आमोणकर नावाच्या बाईंबद्दल ऐकलं ती माझी किशोरीताईंशी झालेली पहिली भेट! मग त्यानंतर अगदी कायमच संगीतातलं जे जे काही मी शिकत गेले त्या सगळ्यात किशोरीताईंच्या गाण्याचे संदर्भ येत राहिले.
षड्ज लावण्यात, तो समजावून घेण्यात अख्खी हयात निघून जाते; प्रत्येक रागात असला तरी प्रत्येक वेळी तो षड्ज वेगळा कसा असतो हे उमगायला किशोरीताईंचं बोट धरण्याशिवाय पर्यायच नव्हता. भूपाचे स्वर लावायला सुरू करण्याआधी त्यांचा भूप ऐकायचा हा तर दंडकच बनला होता. रागदारी गातानाही भावना त्यात ओतणं म्हणजे नक्की काय हे शिकण्यासाठी त्यांच्या बंदिशींकडे धाव घ्यायला लागायची. 'ई'कार, 'ऊ'कार नक्की उच्चारायचे कसे हे सांगतानाही आबांनी नेहमी ताईंचंच ऐकायला सांगितलं.
संगीत ही कला जरी असली तरी त्यातले बारकावे शास्त्रासारखे उलगडायला लागतात, संगीतातल्या सर्जनशीलतेमागेही एक विचार असावा लागतो, रागातल्या स्वरांशी एकरूप झाल्याशिवाय रागाचा म्हणून जो भाव असतो तो गळ्यातून उतरु शकत नाही या वरवर साध्या वाटणार्‍या पण साध्य करायला अतिशय कठीण असणार्‍या गोष्टी समजावून घ्यायला किशोरीताई नावाच्या विद्यापीठाची पायरी चढावीच लागली.
एखाद्याचं गाणं हा प्रत्येक वेळी नवीन अनुभूती कशी देतं याचं मूर्तिमंत उदाहरण म्हणजे किशोरीताईंचं गाणं.. गाण्यात आणि गाणं शिकण्यात शिस्त आली ती ताईंच्या कडक शिस्तीच्या कहाण्या ऐकूनच.. माझ्यात गाणं समजण्याची जी काही थोडीफार कुवत आहे ती किशोरीताईंच्या गाण्याची पारायणं केली म्हणूनच..
आज सकाळी त्या गेल्याची बातमी ऐकल्यापासून त्यांचं पुन्हा पुन्हा ऐकतेय, आज नव्याने ते समजतंय.. हा असा अभिजात अनुभव देऊ शकणार्‍या फार थोड्या लोकांमध्ये किशोरीताई अगदी अग्रक्रमी आहेत.
पर्व संपलं असं म्हणणं त्यांच्या जाण्याचं वर्णन नाही. त्यांचं पर्व सुरूच राहणार, त्यांनी निर्माण केलेल्या स्वर्गीय स्वरांतून, त्यांच्या अजरामर रचनांतून, अविस्मरणीय आवाजातून आणि सांगीतिक विचारांच्या त्यांनी दिलेल्या शिकवणीतून!

Highway: A Confluence of Emotions

Highway- Ek Selfie Aarpaar
Length: 138 Minutes

Poducer: Vinay Waman Ganu

Director: Umesh Vinayak Kulkarni

Story, Screenplay, Dialogues: Girish Pandurang Kulkarni

Cast: Girish Kulkarni, Renunka Shahane, Sunil Barve, Mukta Barve, Tisca Chopra, Huma Qureshi, Kishor Kadam, Nipun Avinash Dharmadhikari, Satish Alekar, Nagraj Manjule

     David Mitchell, in his book ‘Cloud Atlas’ says, “Travel far enough, you meet yourself”. Umesh Vinayak Kulkarni’s Highway-Ek Selfie Aarpar makes sure that its characters and the viewers too meet themselves at the end of a 138 minutes long movie. This road film travels through almost every human emotion and just like Umesh’s past ventures gives an enlightening and refreshing experience to the viewers at the end of the journey.

     It’s a story based entirely on the very busy Mumbai-Pune Express Highway; featuring all its characters travelling on this highway for various reasons through various vehicles. An NRI scientist in town to meet his hospitalized father, a TV stargoing to a political event, accompanied by a stereotypical political bhai a corporate biggie trying to win the office politics on the phone while dealing with sentimental talks and arguments of his pregnant wife, a woman constantly bashing her husband who has cheated on her and a football fan sharing a cab with them, a socialite with a rent boy for an extra-marital adventure,  a father and a differently-abled son travelling by a Shivneri bus, a bunch of Telugu villagers getting a lift in a truck and carrying a mysterious box, a couple struggling with an injury because of  a road accident, a sex worker and her mother with a schizophrenic man carrying a bird cage in his hands and a middleclass man travelling in a shared taxi are the central characters along with the numerous others on the same canvas. They all come from different walks of life, carrying their own baggage of what they are. Each one is in a hurry to reach their respective destinations. But the movie captures far more than just their journeys.

      First half quickly establishes the plot introducing all characters. The second half is the heart of the movie. The journey suddenly stops due to traffic jam and then, the audience is treated to a kaleidoscope of characters struggling, unintentionally clashing, with a plot being crafted out of their interactions with one another. It’s always a tough task to handle such an unwanted halt in lives, and while handling this trouble, some questions hidden deep within are provoked, the judgments are challenged, the assumptions are thrown away, emotions are stirred and what comes out in the end is the escape we all are longing for.

      It is a simple story having many layers and strings. The beauty of the film lies in its frames, camera angles, music and background score. Amit Trivedi has done a marvelous job with catchy tracks. Background music which expresses as much or sometimes more than the dialogues is more commendable. Every frame is stunning and a say-it-all type. The one I loved the most is the introducing scene, where a Chawl boy comes out of his house and we see a huge skyscraper in the background of chawl with that boy standing in front with bright sunlight on his face; a say-it-all frame, isn’t it? Not to forget, the dialogues penned by Girish Kulkarni are impressive too, adding a necessary crisp to the story. The scene where Girish and Renuka Shahane while eating chivda, talk their hearts out, is one of the best scenes in the movie. The metaphor created with a Marathi poem, “Ghan tami shukra bagh rajya kari” and the word game between Tisca chopra and her companion are couple of another most impressive things.

      In the acting department, everyone has performed their best. It is Huma Quereshi and Tisca Chopra’s debut in Marathi films. They have smaller roles and they have done their job perfectly. All other big names in Marathi industry have maintained their standards. Girish Kulkarni, National award winner yet again, wins the audiences. But the most appreciable piece of work comes by a veteran, Renuka Shahane portraying a middle-aged, middle-class wife doing the balancing act of adjusting with tantrum-throwing husband and finding the happiness in small things.

     When the end arrives, film’s strange tagline and the strange posters suddenly appear so apt. The climax doesn’t really end the journey, it discovers a new way. With all the emotional ups and downs, film finally sets to the ultimate emotional goal-Happiness and Hope. We are in a hurry to reach a destination always, but this film makes us love the journey. Despite the length and billions of characters, the film neither gets boring nor confusing. It is really a remarkable and heart touching yet an out-of-the-box attempt indeed.

Turning 81!

It was 18th August yesterday, Mr. Sampooran Singh Kalra aka Gulzar's birthday, the person who made me read poetry, understand and love it! And who else than GulzarSaab be a better inspiration to start my blog again! So, to begin with, here are bunch of words for my beloved,GulzarSaab...

He must be the only person born in the 30's,who is adored equally by all the generations. When he writes a JungleBook theme song: "Jungle Jungle Baat Chali Hai", every kid just sees himself in the 'chaddi pehenke khila phool, Mogli'. When his pen says, "Dil bahal toh jaega is khayal se, haal mil gaya tumhara apne haal se"; every lover falls in love all over again. When he asks the life to just give a hug, we all sing along with him, "humne bhi tere har ek gham ko galese lagaya hai, Aye jindagi gale laga le". By just listening to "Aaj kal Paaon zamin par nahi padte mere", every teenage girl starts flying. Every break-up seems terrible with a "Mera kuch samaan tumhare paas pada hai" playing in the background. It's so difficult to even have an idea of his vast range and the depth and extent of his writing. 

Every mood, emotion, every single thought is expressed so beautifully and so aptly in Gulzar Saab's work. Each creation of him itself is a masterpiece. No word ever gets misplaced, we understand the perfect meaning of 'striking the right chord' while we indulge in his words. Even a thought of his words makes me travel the whole world within a  moment. I always feel that he has some magic wand which fits every alfaaz in its perfect place and the entire nazm gets melted in the tune so melodiously that the song sounds like God's own voice. A non-believer like me also starts believing in the almighty; and that's the magic of Gulzar's pen.
Gulzar has been a witness and a reason of celebration of all the emotions of our lives. His words are so deep that we can discover a new meaning with almost every new experience of his creation. The metaphors he has used are just beyond a commoner's imagination but yet are felt so close-to-heart. His all Chands, all his Raats, all his Mausams and all his versions of the Jindagi feel different, yet the same and leave us enchanted always. He might have written these songs for particular scenes in film, but the meaning and the emotions they deliver have made a much bigger impact and covered a much longer distance than just a song for the movie. That is the power of Gulzar Saab's mighty pen.
We have witnessed GulzarSaab's other versions too; A Marvelous Shayar, an unusual story writer, an ahead-of-the-time director and a dialog-screenplay writer. But the Lyricist Gulzar is loved the most, by me and by the most of the people. His words get entwined into each other and form a smooth,silk fabric-like song. Every space, every between-the-line, every meter is arranged with so much of perfection. 
The most important and unique thing about Gulzar is his keeping with the time. At the age of 81, he thinks just like an 18 year old teenager and gives his words to a new age sensation Yo-Yo too! This is the most amazing quality of Gulzar Saab. I initially thought of calling his work a Nasha. But then it's so much more than just an addiction. In his own words, Jaadu hai sir chadhega aur jo utregi sharaab hai; his work is magic which is recreated with every new thing he writes, is never deteriorated and is mysterious as well! 
We are hungry people Gulzar Saab; so on your 81st, while we wish a healthy life for you, we wish more and more from your pen for us too! 

PS: I know, the post is a belated birthday wish, but after all I needed a lot of courage to gather my words together for the legendary wordsmith!